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I grew up having a sense of who Luke Skywalker is. But it’s not like you can just pick anything you want out of the air. Why is Luke on that island? And I didn’t have any answers. That was the first thing I had to figure out. You get to give Luke Skywalker his first lines of dialogue in this trilogy. We could play with those questions and their answers to have the biggest emotional impact on these characters. Now, what is my place in the world? Where do I come from? Where do I belong? O.K., I understand what the weight of that is. Take the question of who Rey’s parents are: If you get the information - oh, it’s that! - who really cares? I know a lot of people care, but it’s interesting as opposed to impactful. But those questions only address what these characters want and how they get there.
If I had questions - what did you think this was going to be? What were your ideas for this? - I could always ask him. “The Force Awakens” left you with many significant unanswered questions: Who are Rey’s parents? Why did Luke flee? Who is the mysterious villain, Supreme Leader Snoke? To the extent that “The Last Jedi” answers any of them, did you feel obliged to consult with J. I didn’t try to hide the fact that I was freaking out. I suddenly realized, Oh, this meeting is about this. I never thought I was actually in the running, because I assumed every director on the planet would want to be doing a “Star Wars” movie. I had a few general meetings with Kathy Kennedy when she took over Lucasfilm. How did you learn you were being considered to write and direct a new “Star Wars” film? Suddenly, you were standing in the real thing.
It was so emotional to step onto the Millennium Falcon set, because that was the play set we all had when we were kids. As a little kid, you get to see the movies only once or twice, but playing with the toys in your backyard, that’s where you’re first telling stories in your head. How important were the original “Star Wars” films for you? Abrams or Kathleen Kennedy, the Lucasfilm president, who did not hesitate to call for significant changes on the stand-alone “Rogue One,” the coming Han Solo film and “Star Wars: Episode IX.”
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But right now its destiny lies in his hands, and he said he was free to make the movie he wanted. Johnson, 43, is a soft-spoken, unassuming man. “Star Wars” is a gargantuan franchise, and Mr.
Abrams, who reinvigorated the “Star Wars” universe with “The Force Awakens.” That wildly successful 2015 film - the seventh chapter of the galactic saga - began a new adventure for Luke Skywalker (Mark Hamill) and Princess (now General) Leia (Carrie Fisher) and introduced the enigmatic Rey (Daisy Ridley) and her sullen nemesis, Kylo Ren (Adam Driver).
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Johnson has established his genre bona fides as the writer-director of the time-traveling neo-noir “Looper,” and as a director of TV shows like “Breaking Bad.” Now, he is picking up the baton from J. 15), having breakfast in a guesthouse on a recent August morning. If you weren’t looking carefully, you might have missed Rian Johnson, the director and writer of “Star Wars: The Last Jedi” (due Dec. Skywalker Ranch, the 5,000-acre spread that George Lucas established here in Marin County, is hardly a shrine to the “Star Wars” movies the quiet campus has no giant Yoda statue or Death Star murals.
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